Cross that line

Cross that line

Song Dong: Waste Not

I attended an exhibition this week by Song Dong, as part of the Sydney Festival 2013:-

From his family home in Beijing, to the Museum of Modern Art in New York, Waste Not is a transformative installation by one of China’s pre-eminent artists, Song Dong. Conceived by the artist following the death of his father, the work represents his mother’s process of mourning and remembrance. Consisting of the entire contents of her house, Waste Not reflects a journey of hardship and grief, resulting in a display of personal resilience and ultimately a celebration of life.

It was a memorable experience, and prompted me to think of how we remember those who have died, and how much we consume during our lifetime. Although the exhibition was almost entirely made up of manufactured goods that were anything but personal in isolation, when collected together they seemed to tell a unique story.

Song Dong-1-2

Song Dong-11

Song Dong-9

Song Dong-8

Song Dong-7

Song Dong-5

Song Dong-4

Song Dong-3

Song Dong-2

Song Dong-1

More Information on the exhibition.

The Three Sisters at Dawn

I am finding my eye is drawn more and more towards black and white for landscapes, particularly when the rolling hills and mist are composed of such subtle tones.

Click for a larger photo.

The Three Sisters at Dawn - FujiFilm X-E1 + XF35mm f1.4

Mount Solitary from Echo Point

I woke early on Sunday morning. It was still dark, and I took the short drive up to Katoomba, and Echo Point, to see the sun rise above the Three Sisters. It was a magical experience. Echo Point can get busy with tourists during the day, but I had the place to myself, and the weather was clear.

Amongst other shots, I took a series that covered the view I had across the valley, with Mount Solitary in the distance. The layers of hills, and the mist gave a wonderful effect, that emphasised the scale of this landscape. I know I talk about the scale of things here a lot, but it still amazes me. Even the highlands of Scotland look relatively compact, compared to this.

I stitched the photos together using Photoshop’s panoramic merge tool, and for a first attempt, I was quite pleased. I am tempted to return and make a better job, then get a good print made. This is definitely best viewed on a wall.

Clicking on the photo will get you a larger view.

Mount Solitary from Echo Point

Swimming holes and exploration

Summer is here, and with temperatures reaching 40 degrees Centigrade (that’s 104 Fahrenheit for our American cousins) some days, we wanted to explore the Blue Mountains National Park. With shade from its trees and the prospect of taking our son paddling in the swimming holes, we headed out for Jellybean pool on a Saturday morning.

To our joy, no-one else was there, and we had a couple of hours to ourselves, exploring and splashing around, and I had some time to try out the Fujinon XF60mmF2.4 Macro on my new X-E1. While most people seem to go for the XF35, the XF60 is a fantastic lens to have in my camera bag. The focal length meant I could stay far enough away from my son while he played that I didn’t distract him (although the photo of him digging in the sand ended up in a major engineering project for us – I think he was trying to tunnel back to the UK). At wide apertures, the XF60 is able to separate the subject and background really nicely, and has almost Zeiss-like micro-contrast. It’s also extremely sharp. I can see this doubling up as a nice portrait lens. As a macro lens, it performs very well, although it only does 1:2 magnification, rather than the 1:1 of most macro lenses. I was able to hand-hold these shots (and remember, there is no image stabilisation) perfectly well. So, this lens inevitably makes compromises to achieve all these things at the size and weight Fuji have managed to get this down to, but for the extra usability (and the ease with which I can carry it around), it trumps my Canon 100mm macro lens, hands down.

Something else I learned – calling something Jellybean pool can lead to confectionary-related disappointment for a 4 year-old!

Jellybean pool - Fujifilm X-E1 + XF60mmF2.4 Macro

Jellybean pool – Fujifilm X-E1 + XF60mmF2.4 Macro

Jellybean pool - Fujifilm X-E1 + XF60mmF2.4 Macro

Jellybean pool – Fujifilm X-E1 + XF60mmF2.4 Macro

Reflections at Jellybean pool - Fujifilm X-E1 + XF60mmF2.4 Macro

Reflections at Jellybean pool – Fujifilm X-E1 + XF60mmF2.4 Macro

Campfire remains at Jellybean pool - Fujifilm X-E1 + XF60mmF2.4 Macro

Campfire remains at Jellybean pool – Fujifilm X-E1 + XF60mmF2.4 Macro

Lichen at Jellybean pool - Fujifilm X-E1 + XF60mmF2.4 Macro

Lichen at Jellybean pool – Fujifilm X-E1 + XF60mmF2.4 Macro

Digging in the sand at Jellybean pool - Fujifilm X-E1 + XF60mmF2.4 Macro

Digging in the sand at Jellybean pool – Fujifilm X-E1 + XF60mmF2.4 Macro

Exploring at Jellybean pool -  - Fujifilm X-E1 + XF60mmF2.4 Macro

Exploring at Jellybean pool – – Fujifilm X-E1 + XF60mmF2.4 Macro

Red shoes at Jellybean pool - Fujifilm X-E1 + XF60mmF2.4 Macro

Red shoes at Jellybean pool – Fujifilm X-E1 + XF60mmF2.4 Macro

The Purple Carpet

The small size and weight of the FujiFilm X-system continues to change the nature of my photography. My XE-1 is always in my work bag now, affording me previously missed opportunities.

The Jacaranda tree stands out with its beautiful pastel purple flowers. I’d never seen one before I came to Australia, but they have become my favourite, and I pass many on my morning walk to the railway station.

There was a storm last night, and the wind shook the boughs, causing showers of the flowers to land on the ground underneath the trees. They form a purple carpet, and I am the first to walk through them.

Jacaranda Blossoms – FujiFilm X-E1 + XF35mm F1.4 R


Jacaranda Blossoms – FujiFilm X-E1 + XF35mm F1.4 R


Jacaranda Blossoms – FujiFilm X-E1 + XF35mm F1.4 R

Homeward Bound

Seen on my walk between work and Redfern station, Sydney.

Taken with Fujifilm X-E1 + XF35mmF1.4 R.









Sculpture by the sea

Every year near Bondi beach, sculptures appear along the cliff for the enjoyment of the public.

(Click images for full size).