On Saturdays the teens from the suburbs gravitate towards the Sydney Convention and Exhibition Centre. They gather in groups to practice parkour, crumping and dance to happy hardcore. The happy hardcore crew are the biggest. They move slowly, deliberately, then in unison they burst into a frantic, energetic dance, all flailing limbs and dayglo colours.
South of Gerringong is a nature reserve called Seven Mile Beach. It won’t surprise you that it’s a beach that’s seven miles long.
What did surprise, and delight me, was that there was only one other person there, and they were walking away.
I was able to walk along freshly washed sand, with no sound other than the waves.
I’m still thrown by the seasons and the southern hemisphere!
It’s now September, which means Spring is here. The cherry trees in the Blue Mountains are bursting forth with their blossoms, and the air is filled with the scent of the trees.
If there’s one form of photography guaranteed to stir up strong opinions, it’s street photography. Why? Let’s start by understanding what is considered to be street photography.
Wikipedia describes it as
a type of documentary photography that features subjects in candid situations within public places such as streets, parks, beaches, malls, political conventions and other settings.
Street photography uses the techniques of straight photography in that it shows a pure vision of something, like holding up a mirror to society. Street photography often tends to be ironic and can be distanced from its subject matter, and often concentrates on a single human moment, caught at a decisive or poignant moment. On the other hand, much street photography takes the opposite approach and provides a very literal and extremely personal rendering of the subject matter, giving the audience a more visceral experience of walks of life they might only be passingly familiar with. In the 20th century, street photographers have provided an exemplary and detailed record of street culture in Europe and North America, and elsewhere to a somewhat lesser extent.
So what does this mean for me? Above all, I see my street photographs as documentary in nature. I am an observer, capturing individual moments which show context and I aim to tell a story – the interaction between people and their environment and each other.
There is a “style” of street photography that attempts to interact with people on the street by shocking them (such as leaping out in front of them and firing a flash) and provoking a reaction that would not exist without the photographer. This doesn’t appeal to me one iota. Not only do I think it shows a lack of respect to others (how would you feel if someone did this to you?), but the photographer changes from an observer to a participant, essentially rearranging the scene to suit them.
Similarly, asking people if you can photograph them before-hand alters the whole dynamic of the scene. Once people become conscious that they are being photographed, their behaviour changes, and you are no longer capturing a “true” or “real” situation.
So I observe, and capture those moments of interaction.
I have joined a street photography group on Meetup, as I’ve always been interested in capturing moments of life, and now that I live in (well, nearby now) Sydney, I found myself inspired when walking the streets. It’s such a vibrant city, with lives that flow and intertwine in front of my eyes every time I step out onto the pavement.
The organiser (Nathan) did a great job. With 38 people turning up, we split into groups with a more experienced lead, and headed out for a couple of hours of “shutter therapy“.
P.S. I am experimenting with WordPress HiDPI support, so if anyone with a wondrous Apple MacBook Pro Retina display is reading this, I hope you are getting the full, high resolution versions!
We’re still settling in to our new house. The creak of the floorboards, the sound of the birds up here in the Blue Mountains, all the little things you discover as you get to know a place.
This morning I woke up early, and while my family were still sleeping I got to sit with a coffee and watch the light change as the sun rose.
I’d never heard of Yum Cha before we arrived in Sydney. It has now become a firm family favourite on a Sunday, combined with a trip to visit a museum or exhibition.
Ladies push trollies of dim sum around the restaurant, and as you pick delicious sounding dishes (fluffy, doughy buns filled with char sui pork and rice noodle parcels containing scallops and spring onion are our favourite) they stamp your card with their ID, ensuring they get paid for their service. A large pot of green tea washes it all down.
And as any parent with impatient children will appreciate, you are tucking in within seconds of taking your seat.